In 2002 , the world lost one of the greatest filmmakers who ever lived, but his real story began long before Hollywood. His name was Billy Wilder. Born Samuel Wilder on June 22, 1906, in a small town in what is now Poland, he grew up Jewish in a world that was about to turn against him. His mother nicknamed him Billy — after Buffalo Bill Cody, the American frontier hero she adored. She had no idea how prophetic that name would become. Billy moved to Vienna, then to Berlin, where he built a career as a screenwriter — witty, sharp, unstoppable. He was going places. Then on February 28, 1933, the Reichstag burned. The day after, Billy Wilder packed a single bag and left Germany. He knew what was coming. He left his mother behind. He left his stepfather behind. He left his grandmother behind. He told them to follow. They didn't. Billy made it to Paris. Then to America. He arrived in Hollywood with eleven dollars in his pocket, speaking almost no English, sleeping on friends' floors, sharing a room with fellow exile Peter Lorre. He learned English by listening to the radio. He learned Hollywood by refusing to quit. Within a decade he was directing masterpieces. "Double Indemnity" - "Sunset Boulevard" - "Stalag 17" - "Some Like It Hot" - "The Apartment". Seven Academy Awards: a career that made the whole world laugh — built by a man carrying a grief most people never knew about, because when the war ended and Billy returned to Germany as a US Army colonel, he finally learned the truth: his mother had been murdered in a Nazi labor camp in 1943. His stepfather killed at a death camp in 1942. His grandmother died in a ghetto the same year. He had spent the war making movies in Hollywood while they died. He never forgave himself. When Holocaust deniers attacked him in print, Billy Wilder wrote back in a German newspaper with one sentence: "If the concentration camps and the gas chambers were all imaginary — then please tell me. Where is my mother?" He had wanted his final film to be "Schindler's List" — as a memorial to them. Steven Spielberg made it instead. Billy praised it without reservation. Billy Wilder died on March 27, 2002, aged 95. He came to America with eleven dollars and gave the world "Some Like It Hot". He made us laugh his whole life. He carried his loss every single day of it. |
![]() |
![]() |
![]() |
| Year | Title | Credited as | Notes | ||
|---|---|---|---|---|---|
| Director | Writer | Producer | |||
| 1929 | The Daredevil Reporter | No | Yes | No | |
| 1930 | People on Sunday | No | Yes | No | |
| 1930 | A Student's Song of Heidelberg | No | Yes | No | |
| 1931 | The Man in Search of His Murderer | No | Yes | No | |
| Her Grace Commands | No | Yes | No | Simultaneously filmed as Princesse, à vos ordres! and remade as Adorable |
|
| The Wrong Husband | No | Yes | No | ||
| Emil and the Detectives | No | Yes | No | ||
| 1932 | Happy Ever After | No | Yes | No | Simultaneously filmed as A Blonde Dream and Un rêve blond |
| The Victor | No | Yes | No | ||
| Once There Was a Waltz | No | Yes | No | Remade as Where Is This Lady? | |
| Scampolo | No | Yes | No | Simultaneously filmed as Un peu d'amour | |
| The Blue of Heaven | No | Yes | No | ||
| 1933 | What Women Dream | No | Yes | No | Remade as One Exciting Adventure |
| 1934 | Mauvaise Graine | Yes | Yes | No | Co-directed with Alexander Esway |
| Music in the Air | No | Yes | No | ||
| 1935 | Lottery Lover | No | Yes | No | |
| Under Pressure | No | Yes | No | ||
| 1938 | Bluebeard's Eighth Wife | No | Yes | No | |
| 1939 | Midnight | No | Yes | No | |
| What a Life | No | Yes | No | ||
| Ninotchka | No | Yes | No | ||
| 1940 | Arise, My Love | No | Yes | No | |
| 1941 | Hold Back the Dawn | No | Yes | No | |
| Ball of Fire | No | Yes | No | Remade as A Song Is Born | |
| 1942 | The Major and the Minor | Yes | Yes | No | |
| 1943 | Five Graves to Cairo | Yes | Yes | No | |
| 1944 | Double Indemnity | Yes | Yes | No | |
| 1945 | The Lost Weekend | Yes | Yes | No | |
| Death Mills | Yes | No | No | Also editing supervisor | |
| 1948 | The Emperor Waltz | Yes | Yes | No | |
| A Foreign Affair | Yes | Yes | No | ||
| 1950 | Sunset Boulevard | Yes | Yes | No | |
| 1951 | Ace in the Hole | Yes | Yes | Yes | |
| 1953 | Stalag 17 | Yes | Yes | Yes | |
| 1954 | Sabrina | Yes | Yes | Yes | |
| 1955 | The Seven Year Itch | Yes | Yes | Yes | |
| 1957 | The Spirit of St. Louis | Yes | Yes | No | |
| Love in the Afternoon | Yes | Yes | Yes | ||
| Witness for the Prosecution | Yes | Yes | No | ||
| 1959 | Some Like It Hot | Yes | Yes | Yes | |
| 1960 | The Apartment | Yes | Yes | Yes | |
| 1961 | One, Two, Three | Yes | Yes | Yes | |
| 1963 | Irma la Douce | Yes | Yes | Yes | |
| 1964 | Kiss Me, Stupid | Yes | Yes | Yes | |
| 1966 | The Fortune Cookie | Yes | Yes | Yes | |
| 1970 | The Private Life of Sherlock Holmes | Yes | Yes | Yes | |
| 1972 | Avanti! | Yes | Yes | Yes | |
| 1974 | The Front Page | Yes | Yes | No | |
| 1978 | Fedora | Yes | Yes | Yes | |
| 1981 | Buddy Buddy | Yes | Yes | No | TOP |